Gay Charlotte and LGBTQ Carolina News, Arts & Entertainment
“Baby Trump” is a joke, but Hoyt Hutchinson was not laughing. Instead, he “was shaking with anger” when he saw Baby Trump near Bryant-Denny Stadium and vowed to “pop this balloon,” according to his Facebook post.
I saw my first physique magazine when I was 13 years old (1966), in a newsstand in downtown Miami. Though I did not yet know what I was, I knew that I found other men attractive, and I was instinctively drawn to the magazines’ models, who were completely naked from the back or tastefully covered with a posing strap upfront.
“Damn I’m going to be a gorgeous man,” Lou Sullivan wrote 40 years ago in one of his personal diaries. Sullivan, who died in 1991 at the age of 39 due to complications from AIDS, was a pioneering transgender activist in the 1970s and 1980s.
Tegan and Sara’s ninth studio album, “Hey I’m Just Like You” (Warner Records) came to be in a fascinating way. While doing research for their just-released memoir “High School” (MCD/FSG), they discovered previously lost cassette tapes of early songs that they re-recorded for the new album.
There was a time when 1 out of every 2 Americans Gallup polled knew Alfred Kinsey’s name, and to gay men, lesbians, and bisexuals he was a living hero. Sadly, for the last quarter-century or so, calling Alfred Kinsey “the man who made the homosexual movement possible” has come not from that movement but from the Antigay Industry.
Until the 1970s, when LGBTQ publishing first began and activists like Barbara Gittings pushed for representation in libraries, the few queer books available were limited mostly to anti-gay medical texts. So, as the first wave of bookstores like Giovanni’s Room opened.
Although Justin Early’s book “Street Child,” published in 2013 and based on his experiences near the latter part of the 20th century as a homeless youth (beginning at the mind-boggling age of 10), the story he tells still carries weight for homeless LGBTQ youth today.
In 1982, when Berlin’s debut album “Pleasure Victim” was re-released by Geffen Records, pop music was in a state of flux. The homophobic and racially motivated 1979 Disco Demolition pushed dance music off the radio paving the way for rock and roll hair bands to take over.
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